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PARSE is an international artistic research publishing platform and biennial conference based in The Artistic Faculty at the University of Gothenburg, Sweden.
Current

Editors – Basia SliwinskaMargarida Brito Alves
Latvian artist Eva Vēvere’s reflection accompanying the drawings created as a commentary on the final event in a series of events that were part of “The Lost-and-Found: Revising Art Stories in search of Potential Changes” symposium organised between December 2023 and June 2024 in Lisbon, Warsaw and Riga, highlights the entanglements accompanying conversations that happened between the symposium participants.[1] “Connecting the dots” that Vēvere writes about is not an easy task; it is one that foregrounds methods and strategies of making relations, which was the key focus of “The Lost-and-Found” initiative. Emerging itself out of a conversation between individuals associated with three institutions in Portugal, Poland and Latvia, the dialogues initiated at the three gatherings turned into a durational inter-conversation that expanded towards others, human and non-human.[2] This was unexpected, catalysing literal connections through talking-with, eating-with and walking-with, and metaphorical moving-with each other in turbulent times affecting our situated worlds.
Previous

Editors – Jessica HemmingsJyoti Mistry
The visual language for a conference on love that recognises the continuum between enchantment and disaffection requires motifs that are neither immediately identifiable as the semiotics of commercialised love nor representational. The (re)constructions and deconstructions of love as a set of kinetic processes that simultaneously revitalise while having the capacity to destroy as a non-binary force is well-served by the drawings created by Jamie Hudson.
Forthcoming
Ecologies of Dissemination
- Issue 21
- — Spring 2025

Editors - Eva Weinmayr, Femke Snelting
Ecologies of Dissemination aims to develop a politics of re-use that acknowledges the tensions and overlaps between feminist methodologies, decolonial knowledge practices and principles of open access.
Invested in collective art and knowledge practices, we are concerned with how the current drive to openness in dissemination policies might overlook relational aspects. If we consider authorship to be part of a collective cultural effort, how can we invent a politics of sharing and re-use that does not buy into a universalist approach to openness.
Flo*Souad Benaddi "Sitting on Reuse", at Revisit Reuse, Brussels 1-4 May 2024.
Articles in ”Feminist Art: Practices of Co-Existences”


Feral Interventions: Objects and Artworks on the Periphery

Walking, Weaving, Writing: A Trialogue on Creating Multispecies Collaborations

Shen Yuan: Angling for “Home” in Displacement

Within Breathing Space or Through a Cracked Divider?

Devotional Tools and Companions to Everyday Life:

Beyond the Codex: Strategies of Collective Bookmaking
Featured articles during April, 2025
Think of this selection as possible playlist, a set of tracks, a mixtape, brought to together to accompany any selfs stuck in themselves, in their expectations, in their limitations, in their considerations, in their frustrations, in their ambitions to move beyond these!
Selection by Henric Benesch