Artist copying old master oil painting in the Museo del Prado, Madrid, Spain

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They may not be reproduced and distributed without permission of the photographers.

Maud Taber-Thomas. Photograph by Xueli Zheng. www.maudtaber-thomas.com
Paula Billups, Copying at the Metropolitan Museum of Art in New York 2004. Photograph by Scott Billups. http://paulabillupsart.blogspot. se/2013/08/the-mud-in-middle.html
Amy Mann painting at the National Gallery of Art in Washington DC, USA. Photograph courtesy of Amy Mann. www.amyilenemann. blogspot.se
Copying Monet (West Wing), National Gallery of Art, in Washington DC, USA. Photograph by Robin Taylor. www.flickr.com/ photos/robinelaine/
The Old Master, Louvre Photograph by Scott Watton. www.flickr.com/photos/nuzululand/
Art Student at Hermitage. Photograph courtesy of Why Art? www.whyart.pl
Artist copying a painting at the Louvre museum in Paris, France. Photograph by Iain Masterton. www.iainmasterton.com/index
Copying the Old Masters, Metropolitan Museum of Art, New York. Photograph by James Stave. www.flickr.com/photos/56923898@N02/
Artist copying old master oil painting in the Museo del Prado, Madrid, Spain. Photograph by Alex Segre. www.flickr.com/photos/ alexsegre/
Leo Neufeld, Copying Rembrandt. Photograph courtesy of Leo Neufeld. www.leoneufeld.com
Ng Woo Lam, Copying master painting (Frans Hals) at the Metropolitan Museum. Photograph courtesy of Ng Woo Lam. www.woonartworks.blogspot.se
Copy Cat Photograph by Shari Littman. www.flickr.com/photos/sharilyx/ Page 72. Artist copying The Wine Harvest by Francisco de Goya in the Museo del Prado, Madrid, Spain. Photograph by Alex Segre. www.flickr.com/ photos/alexsegre/

Contributor

David Blamey

David Blamey (b. London, 1961) is a London-based artist and proprietor of the independent publishing imprint Open Editions. His work encompasses several activities, including teaching, publishing and exhibiting, which overlap to form a multidimensional practice that defies easy categorisation. To this end, his work is positioned consciously within a range of public situations, both inside and beyond the art gallery. He recently released and edited the book Specialism (2016) and a record Rural (2015), while The Wiredescribed his O.K. sound project for My Dance the Skull’s Voice Studies series as “something quite strange, creepy and good”.
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