An alphabetic index of all articles, books, documents, podcasts appearing in this issue of PARSE Journal.
A
Acker, Kathy. “Writing, Identity, and Copyright in the Net Age”. The Journal of the Midwest Modern Language Association. “Identities”. vol. 28. no. 1. spring, 1995. pp. 93–98. DOI: https://doi.org/10.2307/1315246.
Adema, Janneke and Moore, Samuel. “Collectivity and collaboration: Imagining new forms of communality to create resilience in scholar-led publishing”. Insights. no. 31. 2018. DOI: https://doi.org/10.1629/uksg.399
Adema, Janneke and Moore, Samuel. A. “Scaling Small; Or How to Envision New Relationalities for Knowledge Production”. Westminster Papers in Communication and Culture. vol. 16. no. 1. 2021. pp. 27–45. DOI: https://doi.org/10.16997/wpcc.918
Adema, Janneke and Moore, Samuel. “The Radical Open Access Collective: Building alliances for a progressive, scholar-led commons”. LSE Impact Blog. 27 October 2017. Available at https://blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access-collective-building-alliances-for-a-progressive-scholar-led-commons/ (accessed 2025-03-20).
“The Anti-Capitalist Software License”. N.d. Available at https://anticapitalist.software/ (accessed 2025-02-23).
B
Barad, Karen. “Diffracting Diffraction: Cutting Together-Apart”. Parallax. vol. 20. no. 3. 2014. pp. 168–87. DOI: https://doi.org/10.1080/13534645.2014.927623.
Berlant, Lauren. “Intimacy: A Special Issue”. Critical Inquiry. vol. 24. no. 2. 1998. pp. 281–88. DOI: https://doi.org/10.1086/448875.
Berlant, Lauren G. On the Inconvenience of Other People. Durham, NC: Duke University Press. 2022.
Bye Bye Binary. “Conditions for Engaging Typographic Use (CUTE)”. 2024. Available at https://genderfluid.space/documents/2024_BBB_CUTE-EN.pdf (accessed 2025-03-20).
C
Carr, CJ and Zukowski, Zack. 2018. “Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands”. 2018. DOI: https://doi.org/10.48550/arXiv.1811.06633.
“CC4r * Collective Conditions for Re-Use”. 2019. Available at https://constantvzw.org/wefts/cc4r.en.html (accessed 2025-02-23).
Chan, Leslie, Okune, Angela, Hillyer, Rebecca, Albornoz, Denisse and Posada, Alejandro. Eds. Contextualizing Openness: Situating Open Science. Ottawa: University of Ottawa Press. 2019. Available at https://idrc-crdi.ca/en/book/contextualizing-openness-situating-open-science (accessed 2025-03-20).
Chen, Ken. “Authenticity Obsession, or Conceptualism as Minstrel Show”. Asian American Writers’ Workshop. 11 June 2015. Available at https://aaww.org/authenticity-obsession/ (accessed 2025-04-12).
“Copy Far ‘AI”’. 2023. Available at https://copyfarai.itcouldbewor.se/ (accessed 2025-02-23).
The Council of Yukon First Nations. “Traditional Knowledge Research Guidelines A Guide for Researchers in the Yukon”. 2000. Available at https://ethicshub.ca/tool/traditional-knowledge-research-guidelines-a-guide-for-researchers-in-the-yukon/ (accessed 2025-03-23).
Creative Commons. “About CC Licenses”. Creative Commons. 2023. Available at https://creativecommons.org/share-your-work/cclicenses/ (accessed 2025-03-20).
Creative Commons. “Share Your Work”. Creative Commons. 2023. Available at https://creativecommons.org/share-your-work/ (accessed 2025-03-7).
Curso introductorio de Quechua Chanka | sesión 4: presentarse y pedir información. 2020. Available at https://www.youtube.com/playlist?list=PLe4DNTZx3LngmX5xSJUuowp5jLL_ZZOui (accessed 2024-04-10).
D
Dadabots, “FAQ”. Dadabots.com. Available at https://dadabots.com/faq/ (accessed 2024-02-23).
Dilan U+16DE. Bewitching Technologies. 2024. Available at https://bewitchingtechnologies.link/ (accessed 2025-03-20).
Dusollier, Séverine. “The Master’s Tools v. The Master’s House: Creative Commons v. Copyright”. Columbia Journal of Law & Arts. vol. 29. 2006. pp. 271–93. Available at https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2186187 (accessed 2025-04-12).
E
Énard, Mathias. The Annual Banquet of the Gravediggers’ Guild. Trans. F. Wynne. London: Fitzcarraldo Editions. 2023.
F
Ferreira da Silva, Denise. Toward a Global Idea of Race. Minneapolis: University of Minnesota Press. 2007.
Francke, Andrea and De Kersaint Giraudeau, Matthew. “Bad Vibes Club at CCA: The Rise of the Awkward Turtle”. 2016. Available at https://soundcloud.com/ccaderrylondonderry/bad-vibes-club-at-cca-the-rise-of-the-awkward-turtle (accessed 2024-04-08).
“Free Art Licence”. 2008. Version 1.3 available at https://artlibre.org/licence/lal/en/ (accessed 2025-03-20).
G
De Geuzen. Slogan Generator. 2000. Available at http://geuzen.org/change.html (accessed 2025-04-10).
Groys, Boris. “On Art Activism”. e-flux Journal. no. 56. 2014. Available at https://www.e-flux.com/journal/56/60343/on-art-activism/ (accessed 2024-02-19).
H
Hall, Gary. “The Pluriversal Politics of Radical Publishing’s Scaling Small”. 18 October 2024. Available at http://www.garyhall.info/journal/2024/10/18/the-pluriversal-politics-of-radical-publishings-scaling-smal.html (accessed 2025-03-20).
Hall, Gary. “Experimenting with Copyright Licences”. Copim. 20 April 2023. Available at https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6 (accessed 2025-03-20).
Harris, Cheryl I. “Whiteness as Property”. Harvard Law Review. vol. 106. June 1993. Available at https://cryptpad.fr/file/#/2/file/D5Mk97l9hVKgIerjrXpr0qg5/ (accessed 2025-04-11).
Harris, Cheryl I. “Reflections on Whiteness as Property”. Harvard Law Review. vol. 134. 2020. Available athttps://cryptpad.fr/file/#/2/file/aXXTIqyrj86ZIszZ8VWmjLFH/ (accessed 2025-04-11).
Hyesoon, Kim. Autobiography of Death. Trans. Don Mee Choi. New York: New Directions. 2018
Hyesoon, Kim. Autobiografi av död. Trans. Jennifer Hayashida and Andjeas Ejiksson. Stockholm: 20TAL Bok. 2022.
Hypergurl. Hypergurl Games. N.d. Available at https://www.hypergurl.com/ (accessed 2025-04-10).
I
Inness, J.C. Privacy, Intimacy, and Isolation. Oxford: Oxford University Press. 1996.
K
Keenan, Sarah. Subversive Property: Law and the Production of Spaces of Belonging. London: Routledge. 2014.
Keller, Dean Deidre and Tignor, Kimberly. “Exploring Critical Race IP”. Critical Race IP SoundCloud: UCLA, Season 6. Episode 4. 2021. Available at https://soundcloud.com/dialectic-ucla-law-review/season-6-episode-4-critical-race-intellectual-property-with-dean-deidre-keller-kimberly-tignor (accessed 2025-04-11).
Kelly, Susan. “’But that was my idea!’ Problems of Authorship and Validation in Contemporary Practices of Creative Dissent”. Parallax. vol. 19. no. 2. 2013. pp. 53-69. DOI: https://doi.org/10.1080/13534645.2013.778496.
Kember, Sarah. “Distributed Open Collaborative Scholarschip”. Commonplace. 15 March 2020. DOI: https://doi.org/10.21428/6ffd8432.fdf89d72.
Kember, Sarah. “Householding”. Culture Machine. vol. 23. 2024. “Publishing after Progress”. Ed. Rebekka Kiesewetter. Available at https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/ (accessed 025-03-20).
Kiesewetter, Rebekka. “A New Genealogy for Critical OA Publishing: Towards a Politics of Intersectional Transnationality”. Journal of International Women’s Studies. vol. 21. no. 7. 2020. pp. 61–76. Available at https://vc.bridgew.edu/jiws/vol21/iss7/6 (accessed 2024-03-24).
Kiesewetter, Rebekka. “Undoing scholarship: Towards an activist genealogy of the OA movement”. Tijdschrift Voor Genderstudies. vol. 23. no. 2. 2020. pp. 113–30. DOI: https://doi.org/10.5117/TVGN2020.2.001.KIES.
Kiesewetter, Rebekka. “Reading Differently Expanding Open Access Definitions Towards Greater Knowledge Equity”. PhD thesis. Coventry University. 2023. Available at https://pureportal.coventry.ac.uk/files/78391764/ReadingDifferently_Final_RebekkaKiesewetter_lib_1_.pdf (accessed 2025-03-24).
Kirchenbauer, Vika. “Complicating Critique”. In Works, Scripts, Essays 2012–2022. Milan: Mousse Publishing. 2022. Also available at https://norient.com/vika-kirchenbauer/complicating-critique (accessed 2025-04-10).
L
Lafreniere, Steve. Ed. G.B. Jones. Toronto: Kunstverein Toronto. 2022 [1994].
Local Contexts. Local Contexts. Available at https://localcontexts.org/about/ (accessed 2025-03-7).
Lugones, Maria. “Toward a Decolonial Feminism”. Hypatia. vol. 25. no. 4. 2010. pp. 742–59. https://www.jstor.org/stable/40928654.
M
Mansoux, Aymeric. “How Deep Is Your Source”. In Digital Art Conservation, Preservation of Digital Art: Theory and Practice. Ed. Bernhard Serexhe. Karlsruhe: ZKM. 2013. Available at https://archive.bleu255.com/bleu255.com-texts/how-deep-is-your-source/ (accessed 2025-03-20).
Marder, Michael. The Chernobyl Herbarium. With artworks by Anaïs Tondeur. London: Open Humanities Press. 2016.
Matos, Michaelangelo. “All Roads Lead to ‘Apache’”. In Listen Again: A Momentary History of Pop Music. Durham. NC: Duke University Press. 2007.
McBride, Sindi-Leigh and Rensing, Julia. Eds. Lost Libraries, Burnt Archives. Cape Town: Michaelis Galleries. 2023.
McCutcheon, Mark A. “Techno, Frankenstein and Copyright”. Popular Music. vol. 26. no. 2. 2007. pp. 259–80. DOI:10.1017/S0261143007001225.
McKittrick, Katherine. Dear Science and Other Stories. Durham, NC: Duke University Press. 2021.
Méndez Cota, Gabriela, Cuevas Parra, Carolina, Monteon, Yareni, Hernández, Sandra, Loyola, Sandra, Rodríguez González, Fernanda, Garciamoreno Becerril, Deni, Bernal, Etelvina, Arteaga Villamil, Xóchitl and Rosales, Nidia. “Reuse, Rewrite, Disappropriate”. In Ecological Rewriting: Situated Engagements with The Chernobyl Herbarium. London: Open Humanities Press. 2023. DOI: https://doi.org/10.21428/9ca7392d.cb38ef15.
Mingus, Mia. “Access Intimacy: The Missing Link”. Leaving Evidence. 5 May 2011. Available at https://leavingevidence.wordpress.com/2011/05/05/access-intimacy-the-missing-link/ (accessed 2025-02-19).
Mingus, Mia. “Access Intimacy, Interdependence and Disability Justice”. Leaving Evidence. 12 April 2017. Available at https://leavingevidence.wordpress.com/2017/04/12/access-intimacy-interdependence-and-disability-justice/ (accessed 2025-02-19).
Mol, Annemarie. The Logic of Care: Health and the Problem of Patient Care. London: Routledge. 2008. DOI: https://doi.org/10.4324/9780203927076.
Mondotheque and Algolit. “Paul Otlet, an Omissum”. 2019. Available at https://diversions.constantvzw.org/paul-otlet-an-omissum.html (accessed 2025-02-23).
Mugrefya, Élodie and Snelting, Femke. “Collectively Setting Conditions for Re-Use.” MARCH International. March 2022. Available at https://march.international/collectively-setting-conditions-for-re-use/ (accessed 2025-03-20).
Mukurtu CMS. N.d. Available at https://mukurtu.org/ (accessed 2025-02-23).
N
Nguyen, C. Thi and Strohl, Matthew. “Cultural Appropriation and the Intimacy of Groups”. Philosophical Studies. vol. 176. no. 4. 1 April 2019. pp. 981–1002. DOI: https://doi.org/10.1007/s11098-018-1223-3.
Nguyen, C. Thi. “The Seductions of Clarity”. Royal Institute of Philosophy Supplement. no. 89. 2021. pp. 227–55. doi:10.1017/S1358246121000035.
The Nonviolent Public License Family. N.d. Available at https://thufie.lain.haus/NPL.html (Accessed 2025-02-23).
O
Oakly, Be. “Protest fonts”. Available at https://genderfailpress.info/PROTEST-FONTS (accessed 2025-04-26).
Okune, Angela. “Decolonizing scholarly data and publishing infrastructures”, Citing Africa, LSE Blogpost. 29 May 2019. Available at https://blogs.lse.ac.uk/africaatlse/2019/05/29/decolonizing-scholarly-data-and-publishing-infrastructures/ (accessed 2025-03-20).
Open Source Publishing (OSP). “Collaboration Agreement”. 2024. Available at https://collaboration.osp.kitchen(accessed 2025-02-23).
P
Paul, Elsie. As I Remember It: Teachings (Ɂəms tɑɁɑw) from the Life of a Sliammon Elder. 2018. Available at https://developmentserver.ravenspacepublishing.org/as-i-remember-it-1 (accessed 2025-04-26).
R
Ratti, Carlo and Claudel, Matthew. Open Source Architecture. London: Thames & Hudson. 2015.
Rivera Garza, Cristina. The Restless Dead: Necrowriting and Disappropriation. Nashville: Vanderbilt University Press. 2020.
S
Snelting, Femke and Weinmayr, Eva. “Committing to decolonial feminist practices of reuse”. Culture Machine Journal of Culture and Theory. vol. 23. 2024. “Publishing After Progress”. Ed. Rebekka Kiesewetter. Available at https://culturemachine.net/wp-content/uploads/2024/10/CM23_Snelting_Weinmayr_Reuse.pdf (accessed 2025-04-04)
Soon, Winnie. “Forkonomy”. N.d. Available at https://www.siusoon.net/projects/forkonomy (accessed 2025-04-12).
Soon, Winnie and Cox, Geoff. Aesthetic Programming: A Handbook of Software Studies. London: Open Humanities Publishing. 2020. Available at https://www.aesthetic-programming.net/ (accessed 2025-04-12).
Soon, Winnie and Lee, Tzu Tung. “How to buy/own/mint one milliliter of the ocean from the South China sea”. Interactions. vol. 29. no. 4. 2022. pp. 10–13. DOI: https://dl.acm.org/doi/10.1145/3543624.
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Tuck, Eve and Yang, K. Wayne. “R-Words: Refusing Research”. In Humanizing Research: Decolonizing Qualitative Inquiry with Youth and Communities. Ed. Django Paris, Maisha T. Winn. London: Sage. 2014. pp. 223–48.
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Vanuxem, Sarah. Des choses de la nature et de leurs droits. Versailles: Librairie Quae. 2020. Available at https://www.quae.com/product/1662/9782759232376/elements-of-nature-and-their-rights (accessed 2025-03-20).
Vats, Anjali and Keller, Deirdré A. Critical Race IP. Pittsburgh: University of Pittsburgh. 2018.
Available at https://scholarship.law.pitt.edu/cgi/viewcontent.cgi?article=1511&context=fac_articles (accessed 2025-04-11).
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Weinmayr, Eva. “Noun to Verb: an investigation of the micro-politics of publishing through artistic practice”. PhD thesis, Gothenburg: HDK-Valand. Available at https://cutt.ly/noun-to-verb (accessed 2025-03-20).
Wright, Stephen. Toward a Lexicon of Usership. Eindhoven: Van Abbemuseum. 2013. Available at https://www.arte-util.org/cms/wp-content/uploads/2015/03/Toward-a-lexicon-of-usership.pdf (accessed 2025-04-10).
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Zylinska, Joanna. Bioethics for the Age of New Media. Cambridge, MA: MIT Press. 2009: xiv