Gerrie van Noord

Gerrie van Noord is an editor/curator of publications and educator who has been involved with PARSE Journal since 2016. Her practice focuses on publications as sites for articulation in relation to both artistic and curatorial practices, and she is particularly interested in expanded understandings of collaboration. For Artangel she produced the ‘Afterlives’ publications (1997–2002) and for Book Works she commissioned the ‘Fabrications’ series of co-publications (2006-09). She was managing editor of the critical anthologies The Curatorial Conundrum: What to Study? What to Research? What to Practice?(2016), How Institutions Think: Between Contemporary Art and Curatorial Discourse (2017) and Curating after the Global: Roadmaps to the Present (2019), as well as Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art (2022). She worked with Olivia Plender on the book Rise Early, Be Industrious (2016) and a website of the artist’s entire body of work (2021) and edited Curling Up with Reality (2021), a selection of Isabel Nolan’s writing. Moist recently she co-edited Kathrin Böhm: Art on the Scale of Life (with Paul O’Neill and Mick Wilson, 2023), Not Going It Alone: Collective Curatorial Curating (with Paul O’Neill and Elizabeth Larison, 2024) and Curious (with Paul O’Neill, 2024). Gerrie was a Visiting Lecturer on the MFA at the Glasgow School of Art (2003–15), Associate Lecturer on the MA Arts Policy & Management at Birkbeck, University of London (2006–19) and is now Tutor (Research) on the MA Curating Contemporary Art at the Royal College of Art, London. She has a PhD from Birkbeck, University of London (2021).