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Never (Off) Work!

Felicity AllenKarin HanssonWinnie HerbsteinKirsteen MacdonaldBjörn PerborgJenny RichardsMarina Vishmidt

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Wed 5 Dec 2018

Never (Off) Work!

Felicity AllenDave BeechBenjamin FallonKarin HanssonWinnie HerbsteinKirsteen MacdonaldShona MacnaughtonKelvin Kyungkun ParkBjörn PerborgJenny RichardsJ RohsuperconductrMarina Vishmidt

Contributors

Felicity Allen

Biography coming soon

Karin Hansson

Karin Hansson is an artist and media researcher based in Stockholm. She currently works as a researcher at the Royal Institute of Art in Stockholm and at the Department of Computer & Systems Sciences at Stockholm University. Her research focus is on participatory processes online and the social production of data. She is also interested in artistic methodologies and participatory research methods. Her current research project “Work a work”, in collaboration with artists and union activists, explores the ongoing transformation of work relations from an interdisciplinary perspective. Her work is published in international journals and at conferences such as CHI, CSCW, HICSS, ISEA, Leonardo Electronic Almanac, First Monday and Footprint, among others. She was one of the founders of the Association for Temporary Art, an experimental platform for art in Stockholm, and of the media lab CRAC – Creative Room For Computing.

Winnie Herbstein

Biography coming soon

Kirsteen Macdonald

Kirsteen Macdonald is co-founder of the curatorial co-operative Chapter Thirteen. Since 2011 she has developed a series of ongoing discursive platforms for curators including Framework and the peer-learning project Curatorial Studio supported by the Scottish Contemporary Art Network. As an independent curator she co-organised What’s Love Got To Do With It? with philosopher Vanessa Brito presented at Galerie Art-Cade in Marseille in May 2018, and has been employed by Glasgow International Festival of Visual Art (2009-12), Timespan in Helmsdale, Sutherland, Scotland (2010-12) and The Barn, Banchory, Aberdeenshire (2012-13). Between 2014-18 she was Lecturer in Design, History & Theory at the Glasgow School of Art. Her current AHRC funded doctoral research at the GSA explores the curatorial as both dependent on, and a form of, co-operative infrastructure. She is a member of the Advisory Board for Lux Scotland and was previously director of The Changing Room in Stirling (2001-09).

Björn Perborg

Biography coming soon

Jenny Richards

Biography coming soon

Marina Vishmidt

Marina Vishmidt (1976-2024) was a London-based writer, editor and critic occupied mainly with questions around art, labour and value. She was the author of Speculation as a Mode of Production (Brill, early 2016) and A for Autonomy (with Kerstin Stakemeier) (Textem, late 2014). She often worked with artists and contributes to journals such as Mute, Afterall, Texte zur Kunst, Ephemera, Kaleidoscope, Parkett, and OPEN! as well as co-/edited collections and catalogues, most recently Anguish Language (anguishlanguage.tumbr.com). She has authored chapters in The Routledge Companion to Art and Politics (Routledge, 2015) and The ECONOMY Reader (University of Liverpool Press, forthcoming).
She taught individually or as part of a collective at University of the Arts, Berlin, Central Saint Martins, Goldsmiths, the Royal Academy, Copenhagen and the Dutch Art Institute in Arnhem. Her work on debt, social reproduction and artistic enterpreneurialism can be found on libcom.org and in the e-flux journal, and she has also lectured and given workshops on these topics in universities, art institutions and activist spaces.
Vishmidt also had a long-term involvement with artists’ moving image in critical and exhibition contexts such as feminist film distributor Cinenova and the free cinema Full Unemployment Cinema.

The University of Gothenburg
& Platform for Artistic Research Sweden
ISSN: 2002-0953

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