What Does Work Look Like?

Dave BeechTom CubbinJosefine Wikström

Dave Beech

Dave Beech is a Reader, an artist and the author of a series of academic books that have transformed the field of the political economy of art. As an artist he has exhibited at the Venice biennial, the Liverpool biennial, the Guangzhou biennial, the Istanbul biennial and the Liverpool biennial. He has also organised many artist-led events and institutions including curating major exhibitions in New York, London and Manchester.

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Tom Cubbin

Tom Cubbin is a design historian whose work explores the role of making in material cultures of sex. Tom’s research project, entitled ‘Crafting Desire: An International Design History of Gay Fetish Making,’ is funded by Riksbankens Jubileumsfond (2019-2021). The project uses design historical methods to explore what the development and mediation of skills, aesthetics, concepts and images in the gay fetish world can tell us about broader changes in the socio-economic status of gay men in Europe and North America since the 1960s. More information about the project is available here.

Tom’s previous work examined histories of critical artistic design practice in the Soviet Union, which culminated in a monograph entitled Soviet Critical Design: Senezh Studio and the Communist Surround (London: Bloomsbury, 2019).

Since 2016, Tom has worked closely with education in the BA and MA programmes in design at HDK, and has been primarily responsible for implementing design studies within the curriculum.

Tom holds a PhD from the University of Sheffield, and an MA in History of Design from the Royal College of Art in London, where he has also worked as a visiting lecturer in the school of Critical and Historical Studies.

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Josefine Wikström

Josefine Wikström is a researcher and art critic working on the intersection between cultural theory and post-Kantian philosophy with a particular focus on performance and dance within contemporary art. She is a Senior Lecturer in Dance Theory at Uniarts and also teaches regularly in Aesthetics at Södertörn Högskola. She completed her PhD-theses in Philosophy at the CRMEP in London in 2017 with the title Practices of Relations in Task-Dance and the Event-Score: Towards New concept of performance in art. She is the editor of Objects of Feminism (2017) together with Maija Timonen.

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The University of Gothenburg
& Platform for Artistic Research Sweden
ISSN: 2002-0953

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Thu 17 May 2018